Category Poetry

They’re Planting Tulips in Kharkiv

    THEY’RE PLANTING TULIPS IN KHARKIV

           By Andrew Hidas

The news tells us of mass
tulip plantings in Kharkiv,
just one more Ukrainian city
bringing new definition
to the word “beleaguered”
in this long spring of horrors.

I picture those tulips tightly clutched
in fists, shaken and ascending to
the heavens as an ultimate “Fuck you!”
to the bomb-droppers and missile senders
who become blinded by the color explosion
of tulip petals hurled aloft in anger, defiance
and hope—blessed, dubious, inexplicable hope.

In our front garden the other day,
the world’s most purposeful sparrow
hops across the gravel, sweeping
up dead leaves in her beak till they
obscure her entire head, a holy payload
destined to welcome life in a nearby tree.

I marvel at her madness of intention,
the sacred instinct for survival and comfort
guiding her every move like no missile
guidance system ever afforded ...

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Resurrection for Non-Christians: A Poem

               RESURRECTION FOR NON-CHRISTIANS

                                  By Andrew Hidas

Stay with me now, you non-Christians (of which I am one).
The hard believers will insist there’s nothing for you here,
Irredeemable heathens that you persist in Being.
But believe not, I say, in those believers, their binaries
Blinding them to nuance, context, symbol, the
Dusky liminal depths of myth more real than reality.

Resurrection is yours, too, for the taking.

You need not wear a cross on your chest,
Nor hang on one for the many sins you
Share in common with your brothers and sisters,
Perfection being the chimera that the
Christ himself was said to dispel.

Sinning is yours, too, for the committing.

You need only behold the tulips of spring,
The spring in your own step as day beckons
Or night falls with the slow revelation of stars.

Death and rebirth suffuse our lives, all life it...

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Thanks, But No Thanks: Lisel Mueller’s “Monet Refuses the Operation”

We’re not much given to ecstasies, visions or fantastical disruptions of form, light and sound in the workaday world. Observe the social conventions, show up in the conference room at the appointed hour, monitor your in-box, and don’t say anything stupid or offensive on social media from the confines of your cubicle.

Keep that up for 40 or so years, let the IRA compound, then hunt for the perfect landing place—single-story, welcoming and with a woodsy name—to ensure your own version of domestic, senescent tranquility.

And then there are artists, whose creations, in the words of 20th century French philosopher George Bataille, inhabit “a minor free zone outside action, paying for its freedom by giving up the real world.”

I’m not sure artists “give up” the real world so much as they challenge the very foundations of what most people claim the real world is...

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Kick-Ass Black Woman Tells It: Maya Angelou’s “Still I Rise”

Before she died in 2014, Maya Angelou had for decades enjoyed oil wells pumping in her living room, gold mines spewing riches in her backyard, and for a nice sexy touch, she appeared to keep diamonds at the meeting of her thighs. (No word on whether they came from a diamond mine in her bedroom…)

We know this because she described these mighty assets in her 1978 volume from Random House, “And Still I Rise: A Book of Poems,” one selection simply dropping the “And” to make “Still I Rise” the near-title poem in the collection. (The poem is printed in full below.)

Angelou was a seeming force of nature over the course of her 50+ year career as a memoirist, essayist, poet and civil rights activist. Morally serious, unafraid, measured and eloquent, her voice resounded both on the page and into microphones, making her compulsively listenable.

She was a kind of James Earl Jones of the literary set, giving nothing aw...

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Not Just Splashing Around: Maxine Kumin’s “Morning Swim”

Swimming is a fine and salutary activity—aesthetically pleasing, easy on joints, good for heart and soul, huge fun for kids exhausting themselves on a summer day splashing around, playing “Marco Polo” and hoisting themselves onto the deck for endless cannonball jumps into the water as parents keep an eye out from nearby chaise lounges, the drink holders securing their refreshments of choice.

What’s not to love?

Pulitzer Prize-winning poet Maxine Kumin (1925-2014) loved swimming too, but her “Morning Swim” poem, first published in “The New Yorker” magazine in 1962 and later in a couple of collections, isn’t about any of the swimming described above.

Kumin was a lifelong swimmer (on the team all four years at Radcliffe) who took to the water with a poet’s sensibilities. The particular swim she describes—in the “chilly solitude” of dark morning fog in a lake, “oily and nude” after hanging her bathrobe on ...

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