Nothing much happens in Richard Linklater’s finely wrought film, Boyhood. No stabbings or shootings, no kidnaps or car wrecks designed to set the protagonists’ lives on a post-crisis course and get audience members’ guts churning. Linklater disdains virtually every conventional narrative technique out of Film 101’s playbook, going light on the trauma and minimalist on conflict.
And what he winds up with is one of the most absorbing movies in years.
Boyhood’s two hours and forty-four minutes of running time effortlessly depicts multiple lives as they play out over an actual nearly 12-year-span in various Texas locales. Meaning Linklater followed a real-life rather than movie calendar in assembling his main actors on an intermittent shooting schedule between the years 2002 and 2013.
It’s a daring and brilliant device, allowing us to watch the actors literally age in front of our eyes, sans elaborate ...
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