The best music always crawls right under your skin, raising a few goosebumps along the way as it wends its way in short order to your heart. And so it was the first time I came across Jean Sibelius’s “Finlandia,” on an LP I picked up used in a dusty music store in Santa Monica, California just about a half-century ago. I’d taken a music appreciation class in college, inspired partly by my mother, who grew up around classical music in her native Hungary and had exposed me to it along with Nat King Cole and a few other stalwarts of the era. So…
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“Our townsfolk were not more to blame than others; they forgot to be modest, that was all, and thought that everything was still possible for them; which presupposed that pestilences were impossible…They fancied themselves free, and no one will ever be free so long as there are pestilences.” *** Albert Camus’s 1947 novel, “The Plague,” has often been described by critics as an allegory for the Nazi occupation of France during World War II. One can certainly read and profit from it as such, or even make it more timely today as the drama of an inept and ill-intentioned presidential administration…
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Ram Dass was an important figure for many people who came through the counterculture of the 1960-70s. Those who, having “countered” their Judeo-Christian religious upbringings, were nevertheless still seeking to anchor their world from some kind of spiritual base beyond the rampant materialism and status-seeking of modern industrialized life. When Dass (it feels strange to refer to him by only his last name per writing protocol; it’s as if he had but one name, said in full every time: RamDass…) died just before Christmas, I noted a kind of complex but common feeling that I suspect most everyone experiences when…
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Some people are just born for the camera and stage and storytelling. Robbie Robertson was 16 years old and a high school dropout (not because he was a ne’er-do-well stoner, but because he had a serious jones for music-making) when he sold one of his guitars to finance a train ticket from his native Toronto to Arkansas, where he joined up to become one of the “Hawks” backing noted rock & roller Ronnie Hawkins. Hawkins had first noticed Robertson playing locally when Hawkins toured in Canada, then invited him to come explore the possibilities of joining up with him in Arkansas.…