It was always the “psychodramas and the traumas” that caught my ear. I must have heard The Association’s “Along Comes Mary” a thousand times in the months after its March, 1966 debut, drawn by its almost hypnotic drive, melodic refrain and multi-syllabic wordplay. But the words tumbled forth with such breathlessness and clung together so tightly that I never saw fit to peel them apart to ponder and appreciate not only their meaning, but also the verbal dexterity they required of the singer. Proof positive of the latter would be to stick the lyrics in front of yourself after you’ve…