Monthly Archives February 2022

No bombs fell in downtown Durham yesterday. No rockets slammed into City Hall or its police station. Most of us here, and I assume pretty much the same about you, went about our appointed tasks and pleasures, tending to jobs, walking dogs, meeting someone for coffee, picking up kids or grandkids from school, getting a hearty something out on the dinner table to feed body and soul.

The basic stuff of life, which we often take for granted and then look back on as its best, most memorable and enduring pieces that we take to our graves with a gladdened heart.

That said, my day was only partially like that, because a good part of it was spent obsessing about the invasion of Ukraine by the Russian dictator and war criminal Vladimir Putin.

I couldn’t do enough reading and watching and listening to slake my thirst for absorbing the full impact of this momentous and horrid event, potentially the most consequential ...

I’ve never quite cottoned to people who can’t bring themselves to insert a joke, a hint of irreverence, a witty aside or a slightly jaundiced observation into their writing or conversation. Oh, I can respect and work alongside and even benefit in one way or other from knowing them. They’re not bad people.

But a severe humor deficit, a flattened, sparkless demeanor, as if a person has just emerged back up to ground level after a double shift in the coal mine and now has to walk three miles home in a steady drizzle, has always struck me as lacking too much of the animating life force that completes us as human beings and, in a powerful sense, helps at least somewhat to make the all-too-common tragedy and anguish of life bearable.

And as P.J. O’Rourke, the conservative gadfly, satirist, former “National Lampoon” editor, “”Wait Wait… Don’t Tell Me” radio show panelist and all-around droll wit pointed ...

We’re not much given to ecstasies, visions or fantastical disruptions of form, light and sound in the workaday world. Observe the social conventions, show up in the conference room at the appointed hour, monitor your in-box, and don’t say anything stupid or offensive on social media from the confines of your cubicle.

Keep that up for 40 or so years, let the IRA compound, then hunt for the perfect landing place—single-story, welcoming and with a woodsy name—to ensure your own version of domestic, senescent tranquility.

And then there are artists, whose creations, in the words of 20th century French philosopher George Bataille, inhabit “a minor free zone outside action, paying for its freedom by giving up the real world.”

I’m not sure artists “give up” the real world so much as they challenge the very foundations of what most people claim the real world is...

William Styron’s 1979 novel “Sophie’s Choice” stands as an iconic description of a moral dilemma pushed to the furthest extreme of human cruelty and torment. A Nazi physician stands at a train station fronting massed and miserable Jews in 1943, directing some left, some right. Word has spread that one group is bound straight for the crematorium, while the other will be spared for the moment by going on to Auschwitz.

Sophie is a Polish Catholic who has landed here for smuggling a ham for her ailing mother in violation of wartime rules reserving all meat for the military. As she approaches the doctor with her young daughter and son in tow, the following conversation ensues:

Doctor: You’re so beautiful. I’d like to get you into bed with me. I know you’re a Polack, but are you also another one of these filthy communists?
Sophie: I’m not Jewish!. Or my children—they’re not Jewish either!...