Category Visual Arts

Photojournalist James Nachtwey: Pictures Worth All the Views a Heart Can Bear

So much suffering. Catastrophe upon catastrophe, really, the long chronicle of humanity’s vast inhumanity and indifference to our fellow humans a kind of psychosis draped in the flags of country, religion, revolution, and perhaps the most fundamental, reptilian attachment of all: greed.

We want to look away, of course, the poet having long ago told us we “cannot bear very much reality.”

In truth, it is natural, and human, and necessary, to carry on so the world’s accumulated misery does not plunder our own capacity for the joy and love and yes, frivolity and ease that should also be everyone’s birthright, at least in some blessed moments out from under suffering’s dark, stifling cloak.

Yet how are we to know what befalls those in distant, denuded and warring lands absent those who consent to bearing witness, to staring the fullness of reality in its face and conveying what they have seen?

Few have stared a...

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Why I Quit Watching “The Sopranos”

When my daughter was four or five years old, we took her to a highly touted “children’s movie” animation having to do with the escapades of a pony finding its way through fraught circumstances. I remember neither the title nor anything else to do with the plot save this: at one point, the pony was tied to a stake and thrashing helplessly as foreboding music swelled and some evil force prepared to descend upon it.

The movie ended for us right then because my daughter began to sob uncontrollably, fear and sorrow etched full upon her face. After a few murmured soothings from her mother and me proved completely fruitless, we exited the theater.

I thought back to that episode recently when finally catching up to “The Sopranos,” the multi-award-winning television series that had critics of the time swooning, but which I completely missed during its 1999-2007 run...

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Maira Kalman’s “The Principles of Uncertainty”: Most Certainly a Gem

“If you are ever bored or blue, stand on the street corner for half an hour,” writes the visual artist and spare-time existential philosopher Maira Kalman in “The Principles of Uncertainty,” her wholly original, whimsical, disarmingly profound color-splash-of-a-book that caught my eye on a display table a few years ago in one of those small, impeccably curated bookshops in rural Maine, and which I finally got to reading this week. 

What you will see and experience on that corner, she says on a previous page that sets up her suggestion above, is “The People. Everyone looks so exalted, or so wretched, or so spiffy, so funny, so splendid.”

It is telling, in this literal celebration of the human pageant that Kalman illustrates so lavishly and in such quirky, loving, offbeat detail, that four out of the five adjectives she attaches to her fellow humans above stand as positive attributes.

And truth b...

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A Meditation on “Oppenheimer”

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First: the primeval fear and wonder, the fact of existence itself, the gaping at the savannas, the odd and menacing creatures abounding, the vast sprawl of the stars. Noting the deep growl of hunger, the insistent urge to sample tubers, mushrooms, fruit from the trees, the slow and hapless life forms crawling beneath our gaze.

The terror of being prey for stronger and faster life forms, with their shrieks and snarls and rumbles through the night.

Hearing the helpless wails of our mates being devoured.

The seeking for shelter and haven.

The cowering.

The thinking.

The gathering of stones.

The noting of friction.

The sharpening.

The fine point, primed to stab and gouge, to ward off predators and subdue prey.

The sight of sparks.

The collecting of leaves and twigs.

Combustion.

All of it the rudiments of inquiry and physics itself.

The staggering growth of reason, tools, language, culture.

The imagi...

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Break the Record, Die Trying? Free Diving With Laura McGann’s “The Deepest Breath”

In the long summer months—which in the generally sunny climes where I have lived I regard as May through at least September—I have long made a habit of swimming in as many backyard and club pools as their owners will abide. And since none of the pools are Olympic-sized, I’ve developed a ritual of dipping underwater upon entry, descending to just a few inches from the bottom, and breaststroking from one end to the other, holding my breath for the 15 to 30 seconds various pools might require.

It always feels invigorating to pop up to the surface with a nice exhalation at the end, ready to move some more water around in pursuit of just about the finest whole-body exercise humankind has ever devised.

Some of these pools can get to a depth of five to eight feet, which seems like small potatoes until, say, you dive down to snag fall leaves or a kid’s unfloatable toy off the bottom...

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