Category Philosophy

“I say unto you: one must still have chaos in oneself to be able to give birth to a dancing star. I say unto you: you still have chaos in yourselves.”
—From Friedrich Nietzsche‘s “Thus Spake Zarathustra” (1883)

The older I get and the more I am able to look back on history writ large, and the more I see that the age-old tussle between form and chaos, chaos and form, will be with us till the very end of time. (Although the question of whether there will ever be an end to time is itself a tussle among physicists that will likely be with us till, you guessed it, the end of time…) (If it ever arrives…)

Which reminds me anew of Kurt Vonnegut’s resounding shrug from “Slaughterhouse Five”:

“And so it goes…”.

The famously epigrammatic German philosopher Friedrich Nietzsche bathes the chaos within ourselves in the twinkling light of a “dancing star” in the quote above...

“If you are ever bored or blue, stand on the street corner for half an hour,” writes the visual artist and spare-time existential philosopher Maira Kalman in “The Principles of Uncertainty,” her wholly original, whimsical, disarmingly profound color-splash-of-a-book that caught my eye on a display table a few years ago in one of those small, impeccably curated bookshops in rural Maine, and which I finally got to reading this week. 

What you will see and experience on that corner, she says on a previous page that sets up her suggestion above, is “The People. Everyone looks so exalted, or so wretched, or so spiffy, so funny, so splendid.”

It is telling, in this literal celebration of the human pageant that Kalman illustrates so lavishly and in such quirky, loving, offbeat detail, that four out of the five adjectives she attaches to her fellow humans above stand as positive attributes.

And truth b...

French philosopher and playwright Jean Paul Sartre’s 1944 play, “No Exit,” envisioned a hell devoid of searing flames, torture devices or red-eyed devils pitchforking inhabitants for eternity. But that doesn’t mean the punishment for unredeemed sinners wasn’t awful beyond imagining.

Sartre instead placed multiple people in a locked room—in this case, two women and one man—carefully selected to provoke maximum and mutual psychological discomfort upon one another by picking astutely at the scabs of the moral failings that landed each of them in this dreaded situation, yes, for all eternity.

“Anything but that!”, we can hear ourselves saying in sympathy with these otherwise despicable characters. (Military desertion, vicious marital infidelity, seduction, sadism, infanticide…)

The prospect of spending eternity locked in a room with others capable and committed to driving you crazy without relief led to t...

Sixth century B.C. Greek philosopher Heraclitus, like many who came before and after him, noted the endless flux of existence, he with a particularly rich metaphor that ensured his name would be etched forevermore into the canon of universal wisdom: “You can’t step into the same river twice.”

True enough. The sun rises, the sun sets, and before it rises again, however placid the intervening hours may have seemed, nothing and nobody is exactly as it was the day before.

We’re a day older, a dollar richer or poorer, and, inconveniently enough, our planet a day closer to the exploding fireball it will inevitably become in the course of geologic time. (Whereupon all its parts will change into something else.)

Out of all this comes a synthesis: new knowledge, insights, accommodations and compromises that come together in a fresh and life-giving new reality that honors humans’ dual needs for both tradition/securi...

In her slim 2013 volume, “On Beauty and Being Just,” Harvard Professor Elaine Scarry attempts to unravel the mysterious pull and effect of the beautiful on human consciousness. Far from being mere surface gloss obscuring the deeper or truer nature of any given object or experience, beauty is central to human experience, summoning us to ever deeper exploration—and our own depths in responding to it.

“Something beautiful fills the mind yet invites the search for something beyond itself, something larger or something of the same scale with which it needs to be brought into relation,” she writes.

And perhaps most importantly, beauty instills in us a desire to both replicate and share it—to point, to exclaim, to paint, to sing and dance and exult, to communicate about how we have been moved and inspired and ultimately, changed by it.

And to advance the possibility that others might be changed, too.

Shari...