Monthly Archives October 2018

A Halloween Tribute to Hermann Hesse’s “Steppenwolf”

“O dark dark dark. They all go into the dark,” wrote T.S. Eliot in a poem that was not about Halloween but maybe should have been. (It might have helped lighten Eliot’s mood.) Eliot was writing more about the encounter with non-being, rather than the relatively jocular invitation to explore the dark side of human nature via America’s second most commercially prosperous holiday. (It trails only Christmas in economic activity.)

Sure, Halloween is rampantly commercialized and mostly a bonanza for the candy companies and costume stores. But it also reflects a rich tradition of human beings who are not only aware of the shadow side of life, but welcome it. Even though it takes the mostly light-hearted form of costume parties, house decorations and candy for the kids.

Halloween is a chance for our alteregos to get a little attention. To take a walk on the wild side.

Spending a lot of time on the East ...

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Outliving Ernest Becker and “The Denial of Death”

In his 1973 Pulitzer Prize-winning work “The Denial of Death,” cultural anthropologist Ernest Becker wove together major threads of psychology, philosophy, anthropology and religion in positing that the central motivating force of human life is the fear of death, which compels us to live in its denial. We do so by not thinking or talking about it much, by drinking and drugging too much, sleepwalking through life as if it were giving us all the time in the world, embracing eternal life doctrines of religion, and by pursuing any number of immortality-seeking “hero” projects in our jobs, sports, the military, hobbies, and private obsessions. (Climbing Everest, making beautiful pots, writing a book, getting rich, becoming a philanthropist with buildings named after us…)

Becker also placed great importance on our embrace of culture—our affiliations with family, community, nation, race, tribe an...

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Beauty and Banality in Jane Kenyon’s “Chrysanthemums”

With a first line stating “The doctor averted his eyes,” we sense that whatever the title suggests in this crystalline Jane Kenyon poem, it will not be a rapturous ode to flowers. Then comes the second line containing the word “diagnosis,” and we know we will likely be traversing some troubling ground, ultimately revealed as a series of snapshots coalescing around her husband and fellow poet Donald Hall’s colon cancer in 1989.

Nevertheless, chrysanthemums do play a role.

Hall, 24 years older than Kenyon and her professor at the University of Michigan before marrying her in 1972, survived his first bout with the illness that Kenyon chronicled in this poem, then fought off its return three years later when it had metastasized to his liver and doctors gave him slim odds for recovery.

Four months ago, he died at the ripe age of 89, a former poet laureate of the United States and a well-respected professor, ...

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