Monthly Archives August 2014

The Cry for Freedom in “The Adulterous Woman”

She is sitting on a bus crossing the wintry Algerian desert, seated tight up against her slumbering merchant husband and surrounded by Arabs tucked deep into their burnooses to ward off the cold and the fine grains of sand that find their way through cracks in the vehicle. Suddenly, she notices a French soldier across the aisle who gives her a glance, carrying just a tinge of suggestion.

That glance and a couple of other feeling states to follow are about as far as the “adultery” in this story’s title ever goes, but it sets in motion a long and impassioned emotional storm inside our protagonist, with the reverberations extending far beyond this story and her life.

What transpires from there in Albert Camus’s 1957 short story, The Adulterous Woman, speaks in profound and enduring ways to the human condition...

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The Delectable, Delicious, Delovely——and Inimitable——Cole Porter

I think Cole Porter is one of the great writers in history.

You’re the top!
You’re the Coliseum.
You’re the top!
You’re the Louvre Museum

Porter was that rare talent whose gifts and cultivations would surely have made him successful in most any form, but his upbringing, intelligence, tenacity and love of a well-turned phrase landed him in the music world as a major composer and lyricist.

Too bad for you, poetry and fiction!

There’s something wild about you child
That’s so contagious
Let’s be outrageous
Let’s misbehave!!!

Unlike many songwriting duos of his era (Rodgers & Hammerstein, Lerner & Loewe, George & Ira Gershwin), Porter was a team of one, writing both the lyrics and the uncannily catchy melodic ditties that make of his music such a joyous and memorable romp.

I get no kick from champagne
Mere alcohol doesn’t thrill me at all
So tell me why should it be true
That I get a kick out of you

Some get ...

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It’s Life, Just Life: Richard Linklater’s “Boyhood”

Nothing much happens in Richard Linklater’s finely wrought film, Boyhood. No stabbings or shootings, no kidnaps or car wrecks designed to set the protagonists’ lives on a post-crisis course and get audience members’ guts churning. Linklater disdains virtually every conventional narrative technique out of Film 101’s playbook, going light on the trauma and minimalist on conflict.

And what he winds up with is one of the most absorbing movies in years.

Boyhood’s two hours and forty-four minutes of running time effortlessly depicts multiple lives as they play out over an actual nearly 12-year-span in various Texas locales. Meaning Linklater followed a real-life rather than movie calendar in assembling his main actors on an intermittent shooting schedule between the years 2002 and 2013.

It’s a daring and brilliant device, allowing us to watch the actors literally age in front of our eyes, sans elaborate ...

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Father Bob and the Misapprehension of Spiritual Life

Way back in 1980-81, I spent one of the most stimulating years of my life in seminary, taking whatever classes I wanted at Graduate Theological Union in Berkeley. It was one of those “exploration in graduate theological education” programs: one year, no requirements, graze to your heart’s content among the consortium’s eight seminaries. There’s a synonym for all that, and here it is:

Heaven.

I spent pretty much the entire year enraptured, mostly reclining on my mattress-on-the-floor (the true graduate school bedding protocol) with a pile of books when I wasn’t running in the East Bay hills or walking the never-dull streets of Berkeley.

Grazing through the catalogs from the consortium’s eight seminaries before the start of the semester, one easy pick was a course in spirituality from Father Bob, a learned and engaging Jesuit who would pace the floor west to east at the front of the class talking...

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Perfection or Oppression? Chasing Happiness With Epicurus and “The Giver”

So we heard from Kierkegaard a couple of posts ago, and his prescription for happiness, at least as it existed in his own mind. Kierkegaard largely turned his back on the pleasures and joys of this world (other than philosophy and religion), putting all his faith as well as his formidable intellectual capital into a vision of an afterlife that would ultimately reward the denial or disinterest in pedestrian earthly pleasures.

His philosophy is far more nuanced and rich with rhetoric than that brief summary suggests, but at base, Kierkegaard and a segment of Christianity that has at least partially mirrored his views aren’t overly enamored with this fallen world, regarding it as mere waystation and proving ground for the eternal joy to come.

Google tells me it’s about 1,725 miles from Copenhagen to Athens, but it’s a lot farther than that philosophically from Kierkegaard to another subject of this post, the ...

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