Search results for 'driving lessons'

Driving Lessons and the Marvel of Consciousness

If, as the old maxim goes, the best way to learn something is to teach it, I am now advancing rapidly toward my Ph.D degree in Advanced Driverology. Yes, my friends, that would mean I am teaching my 15 1/2 year-old daughter how to drive a car. Pray for me.

Want to know what is most striking about the experience? (Besides the near violent pitching forward of my body as Beloved Daughter works out the finer sensory details of applying appropriate pressure on the brakes.) The astonishing array of rapid-fire stimuli that human consciousness can absorb and act upon in the course of its otherwise mundane comings and goings.

Get into that passenger seat in an instructive mode with a beginner and you suddenly see, in a way that you simply don’t even notice anymore yourself, how many fast-moving, whack-a-mole stimuli keep popping up, competing for your attention and requiring immediate response as you navigate a 3...

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Top 10 Lessons I Learned Teaching My Daughter to Drive

So my daughter got her driver’s license today after many months of practice. (You can find reflections on that practice in a post from last March here.) In recent weeks, with the basics well in hand, I have placed a heavy emphasis on the finer points of the enterprise, and, considering all the verve and occasional vituperation of her teenagehood, she has been a rather surprisingly dutiful student.

We might consider these last weeks before Exam Day a kind of Dad’s Finishing School To Become a Truly Excellent Driver (and Person).

The other point sinking in here is more for me than for her: that one never learns anything as well as when one has to teach it. And that learning anything in depth always carries within it the seeds of learning about Much Larger Matters.

So herein are the Top 10 Things Dad Learned (or was at least reminded of again) from all his teaching.

1...

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Heaven, Hell and OTHER People: Finding Happiness in “The Good Life”

French philosopher and playwright Jean Paul Sartre’s 1944 play, “No Exit,” envisioned a hell devoid of searing flames, torture devices or red-eyed devils pitchforking inhabitants for eternity. But that doesn’t mean the punishment for unredeemed sinners wasn’t awful beyond imagining.

Sartre instead placed multiple people in a locked room—in this case, two women and one man—carefully selected to provoke maximum and mutual psychological discomfort upon one another by picking astutely at the scabs of the moral failings that landed each of them in this dreaded situation, yes, for all eternity.

“Anything but that!”, we can hear ourselves saying in sympathy with these otherwise despicable characters. (Military desertion, vicious marital infidelity, seduction, sadism, infanticide…)

The prospect of spending eternity locked in a room with others capable and committed to driving you crazy without relief led to t...

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Brilliant Songs #36: Mark Erelli and Karine Polwart’s “Mother of Mysteries”

We suffer, in this world, though it may seem absurd to say so, from an overabundance of supremely talented singer-songwriters. Yeah, I know—nice little problem to have. So many You Tube clips, so little time…

The downside of this decidedly First World problem likely falls most seriously on the supra-talented artists themselves. Most of them labor too long and deeply in relative obscurity, jostling for exposure, name recognition, gigs and income in all the ways artists have always struggled to continue answering the siren call of their art.

Answering it, of course, without wearing themselves out in day (or night) jobs driving cabs or giving music lessons to kids who are often resentfully there under the watchful eyes of parents dead-set on them developing their “artistic side.”

What he’s after is the essential truth over which a thousand theologies trip, stumbling over their dogmas, creeds and codes while...

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Two Wendell Berry Poems on Humility

From his Kentucky farm where he has long disdained use of a computer and rails against modern sins such as strip mining, industrial agriculture and unrestrained market capitalism, 84-year-old Wendell Berry occupies a unique place in contemporary American letters.

Throughout his prolific output of novels, short stories, essays, and poetry totaling some 50 volumes, he is at once the stodgiest of conservatives, a thoughtful curmudgeon standing stoutly for the old ways of fidelity to family, place, religion, and modesty of expression.

At the same time, he remains a darling of Subaru-driving outdoorsy liberals who cotton to his outspoken environmentalist views, pacifism and anti-materialism.

Personally, I have been both inspired and exasperated by him, but I have never for a second doubted his sincerity or intelligence or devotion, and he is always worthy of attention.

Berry’s is a world of overalls and unlocke...

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