Category Painting & Sculpture

A row of black men clad in black uniforms is down on one knee, their arms interlocked along the sideline of what is obviously a football field. Their heads are bowed, while behind them stands a row of racially varied men in casual, mostly identical civilian clothes, their arms also hooked together as they stare into the near distance.

It commands a kind of tender patriotism that asks: What is it to love one’s country, and, for that matter, to love anything?

Music from deep mournful cellos begins to play as the scene comes to life, though the figures and subsequent scenery from around the stadium are animated, and in a rich palette of colors.

It is impossible not to notice that no words are ever spoken, either from the figures on screen or any narrator. It is left to the cellos to carry the entire audio load.

But the pacing and texture of the sounds are just different enough from the original song being rep...

We’re not much given to ecstasies, visions or fantastical disruptions of form, light and sound in the workaday world. Observe the social conventions, show up in the conference room at the appointed hour, monitor your in-box, and don’t say anything stupid or offensive on social media from the confines of your cubicle.

Keep that up for 40 or so years, let the IRA compound, then hunt for the perfect landing place—single-story, welcoming and with a woodsy name—to ensure your own version of domestic, senescent tranquility.

And then there are artists, whose creations, in the words of 20th century French philosopher George Bataille, inhabit “a minor free zone outside action, paying for its freedom by giving up the real world.”

I’m not sure artists “give up” the real world so much as they challenge the very foundations of what most people claim the real world is...

Sculpture, like all other art forms, has always ridden along on historical waves of style and sensibility. It both joins in with and helps to direct the prevailing currents unique to any given era.

Not much cottoning to the hottest new trends in painting, sculpture, literature, music or film? Just give it 20 minutes and, as in springtime, the clouds will probably shift again and the light may manifest in ways more to your liking.

But as we look through the long-running project of humanity trying, with a considerable assist from its artists, to define itself within and against the world, we can recognize certain enduring, classical currents that manage to keep percolating, however sparely, through every era. Probably foremost among those is depiction of the human body in a way that at least dignifies—if not exalts—the remarkable, uniquely self-conscious life form that it is.

This humanistic sensibility...

Decades ago, when I had my head buried in theology and philosophy at Graduate Theological Union, Berkeley, I used to regularly wander over to the Caffe Mediterraneum on Telegraph Avenue, a kind of rough-hewn and clattery coffeehouse with a 1950s pedigree, way before coffeehouses-ala-Starbucks got chic. The place had a kind of Mideast/Turkish vibe, the servers usually dark and mustachioed, the patrons hunched over their espressos with stacks of art books or Heidegger and Sartre philosophical tomes prominently displayed next to them on the round tables.

The “Med” wasn’t everyone’s cup of tea, as it were, but its tone of brooding, vaguely discernible despondency and graduate school noir held a certain bohemian allure...

A recent scene at my neighborhood pool: It’s closing time and the lifeguards are rolling the tarp off its big spool and laying it out across the water. A 3- or 4-year-old boy bolts away from his mother at the gate leading outside and squats down poolside, gazing intently as the tarp unfurls. His mother calls to him, “O.K., let’s go!”

All he does in response is reach his hand out so he can touch the tarp as it moves under his fingers. His mother may as well be a million miles away.

I am smiling to myself at the whole scene, don’t even realize my smile shows until I approach the gate and Mom says to me, smiling herself now, “It’s so interesting!”

“Of course it is!” I respond. “And it’s so interesting that it’s interesting to him!”

She vigorously assents to this and we both laugh, marveling at the insatiable, seemingly undiscriminating curiosity of the young.

But re...