Search results for 'the poet faces death'

Brilliant Songs #39: Hayes Carll and Josh Morningstar’s “Help Me Remember”

I’ve become ever more convinced with age that It’s not so much the plain fact of death that people fear as they face the downslope of their allotted years on earth. It’s not death but the nature of the dying that furrows their brows during conversations about the end of life.

At least that’s how it is for me and most every aged peer I talk to when conversations—not all of them, but many—at least touch on who’s in the hospital now, who’s going in soon, who’s getting out, and whether the getting out is to go home, go to the nursing home, or go to the morgue.

And the last of those is the least of most everyone’s worries.

The thought of death is dwarfed first by the fear of unrelieved physical pain, though modern methods and attitudes toward pain management have significantly reduced the incidence and concern that one’s end may be accompanied by acute bodily suffering.

It’s another fear that strikes the mo...

Read More

Brilliant Songs #38: Eric Bogle’s “And the Band Played Waltzing Matilda”

I learned the Australian folk ballad “Waltzing Matilda” so early in my elementary school years that I don’t remember very much of the life I led before it became one of those anthemic tunes that courses through my blood with ease and gladness whenever I find myself suddenly singing it in the shower or out on a bike ride in the sun-splotched innocence of a spring day.

So the genius of Eric Bogle’s “And the Band Played Waltzing Matilda” is that it uses the freewheeling joy of the original as the backdrop for a deep lamentation on the devastating losses of war. Bogle frames those losses not in the realm of great battles and territory surrendered or annexed, but in the individual persons (young men in this case) with families, friends and romances waiting for them at home, and a future that will never be realized.

The setting is World War I, perhaps the most nonsensical war of all the nonsense that lies deep ...

Read More

Praise for the Invaded, Mutilated, and Beautiful World: Two Poems by Adam Zagajewski

Let’s face it: without hope and continual, sometimes rewarded longing for the world of love and beauty reflected in the faces of our mothers and her joyful cohorts from our first moments in the birth room, life would be a hard, hard slog. So much darkness, so much beauty.

It’s as if two exhausted boxers in the 35th round of a fight to the death keep probing and hoping for the merest, minuscule suggestion of acquiescence in the other so the question can be settled once and for all.

Polish poet Adam Zagajewski knew that slugfest well, beginning from his own birth in the city of Lwów, Poland, in June 1945. When he was barely four months old, Joseph Stalin’s Soviet Union annexed Lwów in the carve-up by the Allied powers as World War II ended, placing Lwów into the newly founded Soviet Republic of Ukraine.

Stalin sent Zagajewski’s engineer father and family of four packing along with countless other professi...

Read More

Two Autumn Poems by Two “Robert”s

Fall descended on Durham recently like someone turned a key and announced, “New season, step up now, no dallying!” It had been summer-hot and sticky per usual through most all August and the first three weeks of September. Then came the autumn equinox on the 22nd with a full day of intermittent rain, and early the next morning, upon opening the door to the sun porch, “Whoa! Where’s my sweatshirt?”

Sure, days are still getting up in the mid-to-upper 80s with that nice penetrating fall warmth that somehow never feels hot, but the heat and especially the humidity have begun leaching from the air every night, the nascent crisp morns letting us know there’s no going back to summer of 2021, seeya next go-round.

That’s a welcome development down here in the Southern climes where the dog days insist on their due in deep summer and leashes aren’t even required to keep the natives quietly restrained, g...

Read More

“Abundance” and “Crossroads”: Two Poems by Nobel Prize Winner Louise Glück

Pretty much all students read and study and are even required to write some poetry through their school years; it’s one of those universal planks of education considered essential to turning out well-rounded human beings. Alas, this profound aesthetic pleasure of language and its subtle, sometimes rapturous meanings, symbols and rhythms sticks with all too few students once they clutch their diplomas. They tend to avoid it for the rest of their lives as they might the memorized geometry theorems or chemistry symbols that they never see fit to use again in their daily lives.

Which leads to the old joke: Why are poets so poor?”

“Because rhyme doesn’t pay.”

All too true, for the most part. Which is but one reason why it is always a fine thing when poets win awards—especially ones that come with whopping cash stipends like the $1...

Read More