Consider these lines from the early 1960s pop classic, “A Hundred Pounds of Clay”:
He took a hundred pounds of clay
And then He said “Hey, listen
I’m gonna fix this-a world today
Because I know what’s missin’
Then He rolled his big sleeves up
And a brand-new world began
He created a woman and-a
Lots of lovin’ for a man
Whoa-oh-oh, yes he did
And now these, five years later, from another hit, “Compared to What”:
Slaughterhouse is killin’ hogs
Twisted children killin’ frogs
Poor dumb rednecks rollin’ logs
Tired old lady kissin’ dogs
Hate the human, love that stinkin’ mutt (I can’t stand it!)
Try to make it real, compared to what? C’mon baby now!
Might it strike you as improbable that one artist played a major role in both of these songs, the first which he sang to a hit that peaked at #11 on the R&B charts, the second which he wrote but was beyond happy and surprised to see another artist take to ...
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