Yearly Archives 2020

Pink Floyd and Some Heideggerian Musings on “Time”

The photo off to the side here shows my ancient cat’s pill dispenser. Two pills of different dosage values go down his gullet in the morn (note the “a.m.” slot), two at night (“p.m.”), to keep his wonky thyroid properly modulated. I take a couple of minutes to fill this dispenser every Sunday night, both to save myself the trouble of fishing individual pills out of their respective bottles twice daily, and also as a backup for my wonky memory (for which no modulation is available) as the day proceeds and I ask myself, “Did I give Rascal his pills this morn?”

What strikes me most about this weekly ritual is the increasing feeling, week to week, that I JUST DID THIS LIKE ABOUT…16 HOURS AGO!

And therein lies the problem of time, and memory, and the future, and life and meaning and death and the music and the philosophy that does its level best to make sense of it all and keep us from th...

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What If The Blue Note Grill Can’t Survive the Coronavirus?

What’s going to happen to small businesses in the United States? The ones we frequent with regularity—or at least did until early March. The restaurants, bars, coffee shops, bookstores, shoestores, recreational outfitters, dry cleaners, florists, salons, spas. The places we take our kids to and tell our friends about, whose proprietors often become familiar to us, reliable and trustworthy, mainstays of most every community.

The Covid-19 disaster descended with such alarming force, catching a federal government that seemed to be almost willfully asleep at the wheel, that businesses had little time to prepare in any way for the cataclysm of sudden closure, Pfffft, zip it, unplug your registers, padlock the doors, furlough your employees, we’ll let you know when things can change.

Recent estimates from the U.S...

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Can the Centre Hold? W.B. Yeats’s “The Second Coming”

In what is surely an indication of just how powerful and provocative William Butler Yeats’s 1919 poem, “The Second Coming” is, a critic writing in “The Paris Review” five years ago suggested  it “may well be the most thoroughly pillaged piece of literature in English.” (Personally, I’m inclined to think it may be a dead-heat between it and Robert Frost’s “The Road Less Traveled.”)

Images and phrases from the poem (“widening gyre,” “falcon/falconer,” “things fall apart,” “the centre cannot hold,” “blood-dimmed tide,” “rough beast,” “passionate intensity,” “slouching toward…”) abound in popular culture, politics, literature and other arts (even comic books, heavy metal, and as a true mark of distinction, the music of Joni Mitchell).

That’s no minor accomplishment for a poem (a poem!) of a mere 22 lines, more than a century after its publication in the calamitous ...

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The Longing for Normal

I have felt a longing these recent fine spring days for a wide variety of pre-virus pleasures, but perhaps none more so than Monut’s, a buzzy daytime eatery in Durham that makes distinctive New Agey donuts and sandwiches with perfectly balanced ratios of condiments to bread to fillings, along with a convivial, clattery atmosphere provided by young hipster servers, Duke students and professors, and friend pairs huddled intimately over tables trying to make themselves heard above the din.

Also: Ponysaurus, a local brewpub featuring my favorite crisp pilsner, where children and dogs romp across lawns dotted with picnic tables through the warm months, above which we climb metal stairs to a veranda, strategically parking ourselves to watch the sun set amidst the ever-changing cloudscape to the west.

These are among a host of local establishments whose “brands” have inculcated themselves into my life, reliable p...

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Chaos, Perseverance, Redemption: José Saramago’s “Blindness”

Cars line up at a traffic signal while their drivers wait for the light to turn green. When it does, one car does not move. Horns honk, epithets are muttered, drivers waiting behind the stationary car finally get out to investigate, then pound on the driver’s side window.

There, they behold a man waving his arms and turning his head side to side. Then they open his door to hear him exclaim, “I am blind.”

So begins “Blindness,” the late Portuguese writer José Saramago’s powerful, wholly original 1995 novel that explores a dystopian world in which blindness descends first on the driver depicted above but in short order engulfs all but one other inhabitant of an unnamed country at an unspecified, though modern time in human history.

At base, the hearty band of seven people we follow through to the story’s conclusion stand as a towering—if humbled to the nth degree—testament to human solidarity an...

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