Category Poetry

  ON WALKING IN BARREN WOODS, ALONE

       By Andrew Hidas

If these leaves were raindrops fallen to earth I would be slogging through mud above my shins, but dried and golden they instead yield with a delicate shrush, my only concern being to lend them my weight gingerly lest my ankle land on a hidden root or rock that sends me tumbling through the hushed forest where no other sound intrudes. Barely off the busy thoroughfare, these barren woods a sanctuary, a quietude, no engine roar nor backlit screen suggesting the constant thrum of all the otherness one shakes off one’s boots in pursuit of another rootedness, of self and silence, untethered under pure autumnal skies. This falling-fallen-decaying-renewing cycle, old as time itself, playing out from treetop to forest floor in an endless vertical loop, unmoved by humankind but subject nevertheless to its assaults...

Kim Addonizio wants it. To hell with all the constraints and niceties, the prim and proper, the “Oh no, don’t worry about me”-isms, the good Christian girl’s reticence and restraint, bland wallflowerism reigning supreme.

Ditto Buddhist non-attachment. Bosh! on all that pretending not to care or hope or want because you might not get it, or might fall short, or it might not be that good anyway, or it will just make you want more, and then you’ll be disconsolate, sobbing quietly into your pillow in some corner of your upstairs bedroom so as not to bother Mom and Dad.

“Damn right I’ll want more!” Addonizio has been roaring, often in desperate, despairing, haunting, but rarely wordless and never quiet straits through a now long writing career focused initially and still on poetry, but also coming to include well-received fiction, short stories, writing guides and memoir.

A kind of resident bad girl of ...

            FOR THE BROKEN-WINGED BEE IN SEARCH OF ITS HIVE 

                                        By Andrew Hidas

Such nobility in its helplessness,
Not desperate, merely determined,
Heeding no other impulse,
Following no other program
But the relentless quest
To rejoin its mates and
Once again serve its queen.

Crossing vast swaths of concrete,
Like a nomad in the Sahara
Shorn of water and shade,
Exposed and alone in the world.

Surely, such an epic endeavor
Deserves no less than a film score
With mournful violins and a cello
Accompanying each tortuous step.

Instead, an audience of two,
The only music our murmurings
Of admiration and lamentation
For this most primitive of struggles
Against the encroaching doom.

We see ourselves, of course,
In the bee’s long journey,
Seeking home and the solace of our tribe,
The temple of our familiars*
Who wait with words of balm.

Approaching...

Fall descended on Durham recently like someone turned a key and announced, “New season, step up now, no dallying!” It had been summer-hot and sticky per usual through most all August and the first three weeks of September. Then came the autumn equinox on the 22nd with a full day of intermittent rain, and early the next morning, upon opening the door to the sun porch, “Whoa! Where’s my sweatshirt?”

Sure, days are still getting up in the mid-to-upper 80s with that nice penetrating fall warmth that somehow never feels hot, but the heat and especially the humidity have begun leaching from the air every night, the nascent crisp morns letting us know there’s no going back to summer of 2021, seeya next go-round.

That’s a welcome development down here in the Southern climes where the dog days insist on their due in deep summer and leashes aren’t even required to keep the natives quietly restrained, g...

We were talking of the body and its sanctity last week, through the lens of the poet William Everson, he of the manifestly heterosexual ardor, steeped in the unity of opposites, the phallos becoming one with the womb. Everson had been deeply influenced by his immersion in the work of Swiss archetypal psychologist Carl Jung, which, like Everson’s poetry, concerned itself almost wholly with heterosexual life.

But what of homosexual relationships and their own religious, worshipful, archetypal underpinnings? I found myself wondering about that matter and almost incorporating discussion of it into the post on Everson before deciding to leave it for a later time.

That time came quite a bit sooner than I anticipated and quite by accident, as I was simply browsing poetry resources last week and came across the website of Faith Shearin, a contemporary poet I had never read.

An interview there posed the question of...