Search results for 'songs of summer'

Life, Aging, Death, Self: Atul Gawande’s “Being Mortal”

The problem isn’t so much that in the end, we die. It’s in all the time leading up to the end. Not death, but severe decline is what puts fear in our hearts. A long debilitating illness or just aging that cuts us off progressively (regressively, come to think of it) from all that we love.

We all peak physically at some 30 years of age, but robustness and increased life satisfaction can persist for decades longer as we go about building our lives and come to accept our aging and its limitations with equanimity and often, good doses of humor.

But the decline does march on, as inexorable as fall following summer.

At a certain point, we stop running, then hiking, then walking without assistance, then walking altogether.

We stop driving long distances, then at night, then at all.

No more foreign travel, then it’s no to flying anywhere, then no more leaving our town, our house, and finally our room (except t...

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Call and (Heartrending) Response: Bob Dylan’s “Boots of Spanish Leather”

One of my favorite musical activities is to snag a bunch of versions of the same song off You Tube or iTunes and then luxuriate in the fine art of interpretation. It’s rather like stepping into a favorite winery and assenting to the server’s inquiry with, “Why yes, I believe I will try seven different pinots from your seven different vineyards scattered over hill and coast and dale. Cheers!”

This is especially true when the song is just flat-out great, garnering the deep respect and reverence of the covering artists.

A song, for example, such as Bob Dylan’s “Boots of Spanish Leather.”

What a song.

What a poem.

Recorded in 1963 and released the following year on his “The Times They Are Changin’” album, “Boots of Spanish Leather” shows Dylan at just about his writerly best, a mere babe at 22 years old, giving clear indications of the literary bent that would earn him the Nobel ...

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A Deep Ache of Laughter: On the Razor’s Edge With Loudon Wainwright

One of the widely regarded hallmarks of great art is that it be honest and authentic, a true expression of the artist’s unique vision. The best art probes, focuses, explores, suggests, reveals. Sometimes that exploration and self-revelation plunges the artist too near scalding depths of pain and suffering, and the laying bare becomes too intense.

The solace of drink, drugs, and the ultimate self-destructive behavior of suicide may then beckon.  (Van Gogh, Rothko, Hemingway, Plath, Woolf, Sexton, Morrison, Joplin, Cobain, Robin Williams; it’s a long casualty list.)

Among contemporary artists in whatever genre, probably none explore their demons with quite the unflinching, ruthless honesty of singer-songwriter Loudon Wainwright III. (Those roman numerals loom large in his history; more on that below.)

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From down here in the audience, it doesn’t look easy being Wainwright, whom I saw from two rows bac...

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The Best Anti-War Song Ever

The best anti-war song ever written actually began its life as a poem. But like most fine poems, it contained an abundance of musical elements and concrete, vivid imagery. So much so that folk singer John Gorka readily saw the opportunity to turn it into a haunting, masterful song, so plaintive and quietly anguished that it throws off the power of its anti-war outrage under the cloak of a mother’s muffled sobs.

“Let them in, Peter,” implores the first line, and we immediately know which “Peter” the poet Elma Dean was referring to in the dark days of 1942, when the war was going very badly in post-Pearl Harbor America. This is the Peter who does not need a last name. The sentence finishes: “…they  are very tired.”

And the next lines:

      Give them couches where the angels sleep, and light those fires
      Let them wake whole again, to brand new dawns
      Fired by the sun, not w...

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The Rhumba Man Sings No More: A Jesse Winchester Appreciation

I don’t know when the term “singer-songwriter” came into vogue, but it’s difficult to think of anyone who defined the very essence of that term as cleanly and clearly as Jesse Winchester, he of the impeccably rendered lyrics, near perfect diction, lovely simple melodies and sincere, affectless stage presence.

Winchester died on April 11, just about a year after I gravitated to his music for my shortest ever blog post in the wake of the Boston Marathon bombing. At the time, his soothing and tender balladry seemed just the prescription for a tormented national psyche.

Winchester engendered a deeply devoted following over his nearly 45-year recording career. That career took a distinctive turn very early on when he opted to go to Canada in 1967 rather than respond to a draft call that might have seen him pressed into service in Vietnam, a war he considered morally repugnant...

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