Search results for 'Songs of Summer'

Last night, at the end of my viewing “The Social Dilemma,” a documentary now streaming on Netflix that launches a howitzer at the purported addictive evils of modern social media manipulation and the technologies that enable it, up popped on my screen one of those “You might also like” blurbs that are attached to most every piece of media these days. They’re designed, of course, to keep us glued right where we are rather than take the dog for a walk or finish up the dinner dishes or read a bit of poetry from a paper book before turning off the bedside light.

“Hmmm,” I said to self, while warmly considering the walk down the hall to the bedroom—“I’ve never seen (the 2005 Bob Dylan documentary) ‘No Direction Home’…maybe I’ll just peek in on the first 10 minutes!”

Two hours later (it was now midnight), I paused it for a moment and saw on the screen that there was an hour and forty-eigh...

The problem isn’t so much that in the end, we die. It’s in all the time leading up to the end. Not death, but severe decline is what puts fear in our hearts. A long debilitating illness or just aging that cuts us off progressively (regressively, come to think of it) from all that we love.

We all peak physically at some 30 years of age, but robustness and increased life satisfaction can persist for decades longer as we go about building our lives, hopefully coming to accept our aging and its limitations with equanimity and often, good doses of humor.

But the decline does march on, as inexorable as fall following summer.

At a certain point, we stop running, then hiking, then walking without assistance, then walking altogether.

We stop driving long distances, then at night, then at all.

No more foreign travel, then it’s no to flying anywhere, then no more leaving our town, our house, and finally our room ...

One of my favorite musical activities is to snag a bunch of versions of the same song off You Tube or iTunes and then luxuriate in the fine art of interpretation. It’s rather like stepping into a favorite winery and assenting to the server’s inquiry with, “Why yes, I believe I will try seven different pinots from your seven different vineyards scattered over hill and coast and dale. Cheers!”

This is especially true when the song is just flat-out great, garnering the deep respect and reverence of the covering artists.

A song, for example, such as Bob Dylan’s “Boots of Spanish Leather.”

What a song.

What a poem.

Recorded in 1963 and released the following year on his “The Times They Are Changin’” album, “Boots of Spanish Leather” shows Dylan at just about his writerly best, a mere babe at 22 years old, giving clear indications of the literary bent that would earn him the Nobel ...

One of the widely regarded hallmarks of great art is that it be honest and authentic, a true expression of the artist’s unique vision. The best art probes, focuses, explores, suggests, reveals. Sometimes that exploration and self-revelation plunges the artist too near scalding depths of pain and suffering, and the laying bare becomes too intense.

The solace of drink, drugs, and the ultimate self-destructive behavior of suicide may then beckon.  (Van Gogh, Rothko, Hemingway, Plath, Woolf, Sexton, Morrison, Joplin, Cobain, Robin Williams; it’s a long casualty list.)

Among contemporary artists in whatever genre, probably none explore their demons with quite the unflinching, ruthless honesty of singer-songwriter Loudon Wainwright III. (Those roman numerals loom large in his history; more on that below.)

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From down here in the audience, it doesn’t look easy being Wainwright, whom I saw from two rows bac...