Search results for 'Songs of Summer'

The Best Anti-War Song Ever

The best anti-war song ever written actually began its life as a poem. But like most fine poems, it contained an abundance of musical elements and concrete, vivid imagery. So much so that folk singer John Gorka readily saw the opportunity to turn it into a haunting, masterful song, so plaintive and quietly anguished that it throws off the power of its anti-war outrage under the cloak of a mother’s muffled sobs.

“Let them in, Peter,” implores the first line, and we immediately know which “Peter” the poet Elma Dean was referring to in the dark days of 1942, when the war was going very badly in post-Pearl Harbor America. This is the Peter who does not need a last name. The sentence finishes: “…they  are very tired.”

And the next lines:

      Give them couches where the angels sleep, and light those fires
      Let them wake whole again, to brand new dawns
      Fired by the sun, not w...

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The Rhumba Man Sings No More: A Jesse Winchester Appreciation

I don’t know when the term “singer-songwriter” came into vogue, but it’s difficult to think of anyone who defined the very essence of that term as cleanly and clearly as Jesse Winchester, he of the impeccably rendered lyrics, near perfect diction, lovely simple melodies and sincere, affectless stage presence.

Winchester died on April 11, just about a year after I gravitated to his music for my shortest ever blog post in the wake of the Boston Marathon bombing. At the time, his soothing and tender balladry seemed just the prescription for a tormented national psyche.

Winchester engendered a deeply devoted following over his nearly 45-year recording career. That career took a distinctive turn very early on when he opted to go to Canada in 1967 rather than respond to a draft call that might have seen him pressed into service in Vietnam, a war he considered morally repugnant...

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Van Morrison and the Deep Wisdom of the Leaves

I’ve long felt that fall is fortunate to be so gorgeous, otherwise we would never forgive it for all the grief we feel over summer’s end. Yet deeply interwoven into fall’s beauty is its profound sense of melancholy at time’s passage, all the brightness dimming now as the world inexorably darkens and decay and death spread across the landscape, there for us as reminder, as harbinger, as spur to savor the day.

Fall is a time to begin our long hunkering, but the dream of every romantic is to do so with one’s beloved, in a private enclosing world walled off from the coming darkness and cold.

Few artists sketch that world with quite the stark beauty of Van Morrison, and in the vast sprawl of his career over a half-century, few songs have matched the super-charged romantic vision of When the Leaves Come Falling Down.

This 1999 song sees Morrison at both his songwriting and singing best, inhabiting a pl...

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John Muir and the Wild Calm Within

*Why do I always feel, when I am meandering about in the mountains, so wildly free and self-possessed, and at the same time so puny and insignificant? Does the vastness and majesty of the setting release some heretofore unknown chemical that allows me to settle contentedly into my niche as a speck of cosmic dust, desiring nothing more than to exist in this moment of plain clarity and calm?

These are questions the naturalist John Muir may well have asked himself at age 30 when he nixed an offer of a partnership in an Indiana machine shop that made wagon wheels and set out to discover the world. He first headed to Florida on a 1,000-mile walk and eventually crossed back over the continent toward the Sierra Nevada Mountains, over which he was to spend much of the rest of his life tramping...

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The Dignity of “The Dutchman” (and His Wife)

Sometimes, life is just crappy and sad, so sad. And those who bear it may show tremendous dignity, but that doesn’t necessarily earn them a return of cheerfulness the next day, or the next year, or ever. Life is never even remotely that fair.

“The Dutchman” and his devoted wife look to be two such people. Michael Peter Smith’s haunting elegy to aging and dementia casts a plaintive poetic glow that settles on the quietly shifting scenes like a dreamy summer fog as Margaret guides her ex-seaman husband through his old haunts in Amsterdam. His faculties ebbing, she serves as both his physical escort and his memory.

The wedding day question “Till-death-do-you-part?” meets its existential peak in dementia...

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